BackArts & Culture » Music & Art » In 'Xem Đêm, Càng Đêm,' a Night Rendezvous Between Architecture and Visual Art

In 'Xem Đêm, Càng Đêm,' a Night Rendezvous Between Architecture and Visual Art

‘"...In the distance the stars
Nearby, fireflies..."—Phùng Cung

The two-part exhibition Xem đêm – Càng đêm currently on show at Manzi Exhibition Space is the fruit of a three-year collaboration between visual artist Nguyễn Đức Phương (aka Phương Giò) and architect Nguyễn Hà. The installations composed of luminous sculptures conceptually evoke the power of the night, the artworks making poetic reference to rural Vietnamese traditional materials and forms.

For Phương and Hà, the installation is offered as an act of "memory gathering," their research journey bringing them to study the textures and shapes common in the everyday objects of the northwest mountains and the northern delta. Their experiments with materials such as  paper, cloth, indigo, coal and copper were explored simultaneously from their architectural and visual art perspectives, evolving over the years to integrate modern industrial materials like cast aluminum, composite and steel.

The first chapter of the exhibition consisted of five installations composed of 180 lamp sculptures; the exhibition hall divided by veils of suspended cloth invited the spectator on a meander through the works. Floating and mysterious, each installation narrated a different tale, some with hidden text and drawings, others whispering organic clunks as they swayed in suspension above the ground.

During the artist talk presented at Manzi on July 14, the duo described their installation as an attempt to represent the power of the night. The focus on the lighting sculptures is as important as on the spaces in between, they said. With this study on the nature of darkness and light, Hà wants people to think about how they use light in daily life, recalling the need for a natural balance. The artists wished the audience to reflect on the importance of the night, not only in the quantity of time it occupies in our lives, but also for its restorative nature, the daily cycle seen as a constant transformation.

With these mysterious sculptures, of lines and forms created from objects of cultural significance, we are challenged to conceptualize darkness not as emptiness but as volume, presence and strength.

Xem đêm - Càng đêm takes place at Manzi Exhibition Space. Chapter 1 of the exhibition (Xem đêm) runs from July 5 to 19. Chapter 2 (Càng đêm) starts on July 25 and ends on August 9. For more information, check out the event's Facebook page.

Related Articles

in Music & Arts

Inside Á Space's Residency Program Where Emerging Artists Shine

Founded in May 2018, Á Space offers a safe haven for burgeoning young Vietnamese artists, offering them a platform to actualize their ideas while inviting them to participate in Hanoi’s contemporary a...

in Music & Arts

Liberation Radio: The Ultimate Message of Peace Through Audio Broadcast

An audio-visual installation at Manzi Exhibition Space followed in the footsteps of the American military deserters who opposed the war in Vietnam.

in Music & Arts

Q&A: A History of Fading Colors — An Interview With Artist Quynh Lam

Nguyễn Đức Diễm Quỳnh (otherwise known as Quynh Lam) is a Vietnamese contemporary artist. She was trained early as a painter and was influenced by her family's traditional photography practices which ...

in Music & Arts

Q&A: Gallery Director Suzanne Lecht on the 'Gang of Five' and Building a House of Arts

Tucked in an alley south of Hai Ba Trung stands Suzanne Lecht’s glorious home, a magical abode crowned with an ancient nhà sàn from Mai Chau. After having lived there for more than 25 years,...

in Music & Arts

Saigon-Based Artist Trần Trung Lĩnh Returns With Pop Art Exhibition

Following the resounding success of his previous exhibition, Saigon-based artist Trần Trung Lĩnh will present a freshly painted collection of paintings at an event this weekend.

in Music & Arts

Vietnam's Art Spaces Find Silver Linings in Moving Online Amid Pandemic

When in February 2020, Đỗ Tường Linh’s exhibition "Foliage III," a celebration of Global South-led art, wrapped up at the Vincom Centre for Contemporary Art, so did most other events in Vietnam’s art ...

Partner Content